simon konev
simon konev
WHAT I DO
Music for short and feature-length movies
Music for documentaries
From the rhythms of Africa to Canada's snowy landscapes
Music for animated movies
Music for movie trailers
Song arrangement and orchestration
Would you like to sing along with an orchestra?
Score preparation
Includes everything from the conductor's score to musician parts
PORTFOLIO
ABOUT ME
After graduation, went on to qualify for taking personal lessons from Hollywood film composer Harry Gregson-Williams (Shrek, The Martian, The Meg) and British film composer Michael Price (Sherlock TV Series, Dracula TV Series).
Finalist (top 5) of the 2024 Score Film Music Competition;
Winner of ArtMasters 2023 Media Composer Competition;
Finalist (top 10) of ArtMasters 2022 Media Composer Competition.
Prior education includes a degree in international economics from a leading national univerisity (MGIMO University), which enables a systemic and business-oriented approach to work.
Author of music for short and feature-length movies, documentaries, animated movies; song arranger and orchestrator.
My focus is on vivid thematic orchestral writing, enriched by experience recording large ensembles at Moscow's leading Mosfilm and Cinelab SoundMix Studios.
Graduate of Moscow Film School (Film Scoring Department).
After graduation, went on to qualify for taking personal lessons from Hollywood film composer Harry Gregson-Williams (Shrek, The Martian, The Meg) and British film composer Michael Price (Sherlock TV Series, Dracula TV Series).
Finalist (top 5) of the 2024 Score Film Music Competition;
Winner of ArtMasters 2023 Media Composer Competition;
Finalist (top 10) of ArtMasters 2022 Media Composer Competition.
Prior education includes a degree in international economics from a leading national univerisity (MGIMO University), which enables a systemic and business-oriented approach to work.
Author of music for short and feature-length movies, documentaries, animated movies; song arranger and orchestrator.
My focus is on vivid thematic orchestral writing, enriched by experience recording large ensembles at Moscow’s leading Mosfilm and Cinelab SoundMix Studios.
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